Word Walls in the EFL Classroom: From Pretty Display to Powerful Tool – A three-part series

Episode 3: Word Wall Activities — Making Students Use the Words, Not Just See Them

A word wall without classroom routines is like a library nobody visits. The books are there. The knowledge is there. But if nobody opens a door, nothing happens.

This final episode is practical and activity-focused. These ideas work across age groups and levels, though I will flag where something is particularly suited to younger learners, teenagers, or adults. Most of them require no preparation beyond what you and your students have already built together.

 

Warm-up activities

Word of the day. At the start of the lesson, a student — rotating responsibility, so everyone gets a turn — chooses one word from the wall and tells the class something about it. This could be the meaning, an example sentence, a synonym, an opposite, a translation, or a personal connection (“I used this word when I was talking to my host family last week”). It takes three minutes and creates a habit of noticing vocabulary. For lower levels, you can give students a simple frame: My word is ___. It means ___. For example: ___. For more advanced learners, the instruction can simply be: “Tell us something interesting about your word.”

Find and tell. Students have thirty seconds to find a word on the wall that connects to the topic of today’s lesson. They then explain the connection to a partner. This is a wonderful way to activate prior vocabulary at the start of a new topic and to build associations between old and new language.

 

Games

Word wall bingo. Students draw a grid — four by four works well — and fill each square with a word from the wall of their choice. The teacher (or a student) calls out definitions, synonyms, antonyms, example sentences, or translations. Students mark off words as they recognise them. The first to complete a line wins. The beauty of this game is that making the grid is itself a vocabulary activity: students have to read and think about a large number of words in order to select their sixteen.

Guess my word. A student chooses a word from the wall but does not reveal it. The class asks yes/no questions to identify it: Is it a noun? Does it describe an emotion? Does it have more than two syllables? Can you use it at school? This game practises vocabulary, grammar, and question forms simultaneously, and it works beautifully from A2 level upwards. For younger learners, you can simplify the questioning rules; for adults, you can make it competitive with points.

Collocation race. Write a word from the wall — a verb like make or do, or a noun like time or money — and give students two minutes to find or create as many collocations as possible. Teams compare their lists. This is especially effective for intermediate and upper-intermediate

learners who need to move beyond knowing individual words to understanding how English vocabulary clusters.

Word family challenge. Choose one word from the wall and ask students to build its family. Starting from happy, for instance, a class might generate unhappy, happiness, happily, happiest, happier. Then they write one sentence for each form. This is excellent preparation for Cambridge exam tasks and for any writing at B1 level and above, where vocabulary range is explicitly assessed.

 

Writing support activities

Wall walk before you write. Before any extended writing task, invite students to stand up, walk to the wall, and spend two minutes selecting words they want to include. They note them down before returning to their seats. This simple physical act — standing up, moving, touching or pointing at words — makes the selection feel active and intentional. Students who struggle to begin writing often find that choosing vocabulary first gives them a way in.

Upgrade your sentence. Students write a simple sentence, then use the wall to improve it. The food was good becomes The food was absolutely delicious or The food was surprisingly disappointing. I was scared becomes I was terrified or I felt a creeping sense of dread. This activity makes concrete something that is otherwise quite abstract in writing instruction — the idea that word choice creates meaning and tone.

Three words, one paragraph. Give students three words from the wall and ask them to write a paragraph that uses all three naturally. This works as a homework task, a timed in-class activity, or a creative challenge. The constraint of the three words often unlocks creativity rather than limiting it.

 

Speaking activities

Use it or lose it. Before a speaking task — a discussion, a roleplay, a presentation — students choose three items from the wall that they commit to using. Afterwards, they reflect: which ones did they manage to use? Which were difficult to incorporate naturally? What was the difference? This metacognitive moment is as valuable as the speaking task itself.

Student expert interviews. If students are each the designated “expert” for one or more words they have added to the wall, you can build short peer-teaching moments into lessons. The expert has thirty seconds to teach their word to a partner or small group — meaning, example, pronunciation, anything they know. This works especially well for vocabulary that has personal significance: words students chose because they needed them in real life.

 

Reflection and consolidation

Exit tickets. In the final two minutes of a lesson, students complete one sentence — written or spoken, depending on your class. Options include: A word I learned today is… / A word I want to use again is… / A word I still find confusing is… / A word we should add to our wall is… These short reflections give you as the teacher a window into what students are actually noticing, and they give students a moment to consolidate before they leave the room.

Retiring words. A word wall should not grow indefinitely. Part of its value is that it reflects where the class is now, not where they were six months ago. Periodically — perhaps once a half-term — revisit the wall together and ask: do we still need this word? Can most of us spell it and use it in a sentence? If the answer is yes, the word has done its job. Celebrate it, and let it go. You might create a “Words We’ve Mastered” archive — a list or notebook page — so the retirement feels like progress rather than loss.

Weekly word reflection. Bruyère describes ending her week by asking students which word helped them, which one they finally remembered, and which one they used in their writing. I love this practice because it turns vocabulary learning into something visible and celebrated. Students begin to notice their own progress: I used ‘however’ in my essay and it actually made sense. That moment of noticing is worth more than any vocabulary test.

 

A note on common mistakes

Even with the best intentions, word walls can go wrong in a few predictable ways that are worth naming.

The wall becomes too crowded. When you add every word from every lesson, you end up with a visual overload that is more overwhelming than helpful. Be selective. Not every word earns a place. The wall should represent the vocabulary that is most useful, most challenging, or most central to your current work.

The wall is only visited when the teacher says so. If the only time students look at the wall is when you point at it, it has not become a resource — it has become a teacher-directed activity. The goal is for students to reach for it independently, habitually, the way a confident writer reaches for a thesaurus.

Single words dominate. EFL learners need chunks as much as they need individual vocabulary. Make sure phrases have a home on your wall: I was wondering if you could…, It depends on…, On the other hand…, Could you say that again? These functional chunks are often more immediately useful for communication than isolated words.

Pronunciation is an afterthought. A word is not fully learned if a student can read it but cannot say it. Wherever possible, add something phonological to the wall: a stress mark, a rhyming example, a note about a tricky sound. Although rhymes with so. Enough rhymes with stuff. These small notes can prevent fossilised pronunciation errors that are very hard to undo later.

Final thoughts

I want to finish where Bruyère’s story finishes — with Tennessee.

A few weeks after she revamped her word wall with her second-graders, a student asked how to spell Tennessee. Before she could respond, the boy who had originally put the word on the wall jumped up, ran over, and ran his finger along the letters, explaining his own trick for remembering the double S. He had ownership. He had pride. He had become, without any formal instruction, a teacher.

That is the real promise of a student-owned word wall. It is not just a spelling reference or a vocabulary bank. It is evidence that language learning is a shared, collaborative, ongoing project. It says: we noticed these words. We needed them. We argued about them, drew pictures next to them, and eventually made them ours.

The best word wall in your classroom will not be the neatest one. It will be the one that shows signs of life — a correction here, a sticky note there, a word that has been circled because everyone keeps forgetting it, a phrase added by the quietest student in the class.

That wall is working. And so are your students.

 

This series was inspired by Justine Bruyère’s article “Building a Better Word Wall,” published by Edutopia (George Lucas Educational Foundation, 2019).

Word Walls in the EFL Classroom: From Pretty Display to Powerful Tool – A three-part series

Episode 2: Building Your Word Wall — The Practical Decisions

Now that we have established why a word wall matters, let us talk about how to actually build one that works. The good news is that the process itself is part of the learning. The conversations you have with your students as you set up the wall are vocabulary conversations. The decisions you make together are moments of ownership-building. Even before a single word goes up, the wall is already doing its job.

Here are the practical decisions you will need to make — and why you should make them with your students, not for them.

 

Step 1: Find the right place

Before anything else, ask yourself — honestly — whether the place you have in mind is actually accessible to your students. Can they read the words from their seats? Can they walk up to it during a task without disrupting the whole class? Can they add words to it independently?

The ideal word wall is at students’ eye level, close enough to the main working area of the classroom that referencing it feels natural rather than interruptive. If you teach younger learners, that means it may be lower than feels instinctively tidy to you. Lower is better than unusable.

If your classroom does not have a convenient stretch of wall — and many EFL classrooms in language schools, cramped state schools, or shared spaces simply do not — there are alternatives. A section of whiteboard that is kept for vocabulary. A portable display board that comes out at the start of lessons. A window or cupboard door. A large shared notebook. A digital slide pinned at the top of your virtual classroom. The medium matters less than the access. Whatever you choose, it needs to be somewhere students feel comfortable approaching and contributing to.

Crucially, ask your students. “Where should we put our word wall?” is a perfectly good discussion question for a B1 class, and a perfectly manageable task with pictures and pointing for lower levels. The conversation that follows will tell you a great deal about how your students experience the physical space of your classroom.

 

Step 2: Decide the rules together

A word wall without agreed conventions quickly becomes chaotic — or worse, stagnant, because nobody is sure who is allowed to add things or how. Spend one lesson, or even just twenty minutes, establishing the basics with your class.

The questions worth discussing vary by age and level. With younger learners or beginners, you might keep it simple: Who writes the words — teacher or students? Can we draw pictures next to words? What happens if we make a spelling mistake? With teenagers or adults, you can go deeper: Which vocabulary is most useful for us — words for writing, words for speaking, or both? How often should we update the wall? What does a word need to do to earn its place?

One decision with significant impact is colour-coding. Bruyère’s students chose a system where common sight words were written in blue, nouns in pink, action verbs in green, and adjectives in orange. The system itself matters less than the fact that students understood and agreed on it. Colour-coding turns the wall into a grammar reference as well as a vocabulary one, and it helps students categorise new language in a meaningful way.

Another decision is who has the authority to add a word. One beautifully simple approach from Bruyère’s classroom: a student who wants to add a word writes it on a card first, a classmate checks it, and then the teacher does a quick review — not just for correctness, but as a moment to notice something together about the word’s sounds or patterns. Only then does the student write it on the wall. This process slows things down in the best possible way. It turns adding a word into an event.

 

Step 3: Choose a structure that makes sense to your students

The traditional alphabetical word wall has genuine advantages, especially for spelling support. But in an EFL classroom, alphabetical organisation is rarely the most useful option. A student looking for a word to describe emotions during a speaking task does not naturally think “let me check under E for embarrassed.” They think “I need a feelings word.”

There are several organisational frameworks that tend to work well in EFL classrooms, and the best choice depends on your context, level, and teaching aims. Some possibilities:

By topic. Especially useful when you are working through coursebook units or thematic projects. A section for travel vocabulary, a section for describing people, a section for technology. Students know exactly where to look.

By function. Particularly powerful for speaking development. A section for giving opinions (In my view… / Personally, I think… / I’d argue that…), a section for agreeing and disagreeing, one for telling stories (All of a sudden… / It turned out that…). This kind of wall teaches students not just words, but what to do with them.

By grammar category. Useful for accuracy-focused learners or exam classes. Irregular verbs in one place, linking words in another, common preposition combinations somewhere visible.

By collocation. This is often neglected, but collocations are one of the biggest challenges for EFL learners at intermediate level and above. A wall that shows make a mistake, do homework, take a photo, and have a shower side by side gives students something they cannot easily get from a dictionary: the social knowledge of how words naturally travel together in English.

By sound pattern. Groups of words that share a pronunciation feature: light / night / right, or work / word / world, or chair / share / hair. This is particularly useful when your learners share a first language with very different phonological patterns from English.

You do not need to choose just one of these frameworks. Many effective word walls have several sections, each organised differently depending on what the vocabulary in that section requires. The point is that the structure should serve the learners, not the teacher’s sense of tidiness.

 

Step 4: Make it interactive from day one

Here is where many word walls stall. The teacher and students build something together, feel good about it, and then… nothing changes. The wall is visited once a week, if that. It becomes part of the furniture.

To avoid this, the wall needs to be woven into the routine fabric of your lessons. Not as a special activity, but as a habit. A few small practices make a significant difference.

At the end of each lesson, pause for two minutes and ask: “Is there a word from today that belongs on our wall?” Let students nominate, let the class vote or discuss briefly, and add the word then and there. This keeps the wall current and gives every lesson a small, visible closing ritual.

Before writing tasks, send students to the wall to choose three words or phrases they want to use. After the task, ask which ones they actually used, and whether there are gaps — language they needed but did not have. Those gaps become the next additions.

When a student adds a word, make them the class expert for that word. If another student asks about it later, point them to their classmate first. This creates genuine peer teaching, and it gives individual students a stake in the shared resource. “That’s Maria’s word” is a small thing, but it builds a sense that the wall belongs to everyone.

In Episode 3, we will look at specific classroom activities — games, writing tasks, speaking routines, and reflection moments — that will help your students actually use the wall rather than simply look at it.

Word Walls in the EFL Classroom: From Pretty Display to Powerful Tool – A three-part series

Episode 1: What Is a Word Wall — and Why Isn’t Yours Working?

Let me tell you about a moment that stopped me in my tracks.

I was visiting a primary school, observing an English lesson in a bright, well-resourced classroom. The walls were covered in colourful displays: animals, numbers, greetings, the alphabet with little illustrations. Everything was neatly laminated. Everything was perfectly positioned. And everything was being completely, utterly ignored.

The children were doing a vocabulary exercise from their coursebook, struggling to remember words they had studied just the week before. Nobody looked at the wall. Not once. Not even a glance.

After the lesson, I asked the teacher about one of the displays — a grid of adjectives near the whiteboard. “Oh, that’s lovely, isn’t it?” she said. “I made it over the summer.”

And there it was. She had made it. Over the summer. Before the students had even walked through the door.

I have thought about that classroom many times since, because it captures something I see again and again in teacher training: the word wall as interior design. Carefully crafted by the teacher, admired by visiting inspectors, and quietly invisible to the people it was supposed to help.

So let’s start from the beginning. What is a word wall, what should it actually do, and — crucially — why do so many of them fail?

 

What a word wall is (and what it isn’t)

A word wall is a visible, permanent classroom display of words that students are actively learning, using, or need to remember. The key word in that sentence is actively. A word wall is not a decoration. It is not a reference poster you buy at a teachers’ fair. It is not a list of vocabulary the coursebook deemed important in September.

At its best, a word wall is a living document. It grows with the class. It reflects what students have met, what has surprised them, what has tripped them up, what they are proud of knowing. It is, in a sense, a map of the class’s learning journey.

In primary classrooms in English-speaking countries, word walls have been a standard classroom tool for decades — usually organised alphabetically, displaying high-frequency words students need for reading and writing. Justine Bruyère, a teacher who wrote beautifully about her word wall experience for Edutopia, describes spending thirteen years experimenting with word wall systems, trying to find one that actually worked for her learners. Her conclusion? The wall only became meaningful when it stopped being hers and became theirs.

That insight is equally powerful — perhaps even more so — in the EFL context.

 

Why word walls matter in EFL

In English as a Foreign Language teaching, vocabulary is not just one challenge among many. It is often the challenge. Students meet a new word, they practise it in a controlled exercise, they move on. And then, two weeks later, it has evaporated. Sound familiar?

This is not a memory failure. It is a frequency problem. Research into vocabulary acquisition tells us that learners need to encounter a word multiple times — in different contexts, through different skills — before it becomes truly known. A word wall helps address this by keeping language visible and present, even when it is not the focus of the lesson. Every time a student glances at the wall during a writing task, every time they use it to check a spelling before asking the teacher, every time they notice a word from last term appearing in this term’s reading text — that is a moment of recycling.

Beyond vocabulary recycling, a well-used word wall supports several aspects of language learning simultaneously.

For spelling, it gives students an independent reference point. Rather than asking “Teacher, how do you spell necessary?” every five minutes, students learn to ask themselves first: “Is it on the wall?” This small shift in behaviour builds real learner autonomy.

For pronunciation, the wall can do surprisingly interesting things. Words can be grouped by sound pattern, annotated with stress marks, or colour-coded by phoneme. Students learning that chair, teacher, and chocolate all contain the same sound — despite looking completely different on the page — are making the kind of noticing that sticks.

For writing, having a bank of useful phrases, linking words, and topic vocabulary within eyesight reduces the “I don’t know what to write” paralysis that affects so many learners. It is a scaffold that fades naturally as students internalise the language.

And for confidence, perhaps most importantly, it signals something about the classroom culture: we collect language here. Every word matters. Your words matter.

 

Why most word walls fail

If word walls are this useful, why are so many of them ignored?

The honest answer is usually one of the following.

The wall is too high. This sounds trivial, but it is one of the most common practical problems. If students need to crane their necks to read the words — or if the display is positioned behind the teacher’s desk where students never stand — they will simply not use it. Bruyère describes a student who admitted she sometimes forgot the wall existed because “it’s so high up.” If children cannot comfortably reach and read the wall, it might as well not be there.

The words are too small or too crowded. A word wall that tries to display fifty words in a 60cm strip of wall is a word wall that nobody reads.

The teacher chose all the words. This is perhaps the deepest problem. When students have no ownership over what appears on the wall, they have no particular reason to engage with it. It belongs to the teacher, not to them. And students, like all human beings, are much more motivated to use something they helped create.

The wall never changes. A word wall that looks the same in June as it did in October is sending a message: this is static. This is finished. This does not reflect our current learning. Living resources need to feel alive.

Students were never trained to use it. This is one teachers rarely consider. We put up the wall and assume students will naturally consult it. But using a classroom resource is a habit, and habits need to be taught and practised, especially with younger learners.

 

The big shift: from teacher-owned to student-owned

The most transformative idea in Bruyère’s article — and in my own experience as a trainer working with EFL teachers — is this: a word wall becomes powerful when students take ownership of it.

This does not mean the teacher disappears. The teacher still guides, facilitates, and makes decisions about what is pedagogically useful. But students become active participants in building and maintaining the wall. They help decide where it goes, which words belong on it, how it should be organised, and what should happen to words the class has outgrown.

This process is not just about motivation, though motivation matters. It is about learning. The act of deciding whether a word is “wall-worthy,” of writing it out carefully, of explaining it to a classmate — these are all acts of deep processing. And deep processing is what moves vocabulary from short-term exposure to long-term retention.

In Episode 2, we will look at the practical steps for building a student-owned word wall in your EFL classroom: where to put it, how to organise it, and how to make decisions together with your learners.

Teacher Trainer Adventure in the mountains

 After three weeks in Sierra de la Ventana, Argentina, I have been reminded how powerful a change of scene can be. Spending time surrounded by nature, away from the usual routines, creates the kind of mental space that allows for both rest and reflection. The slower rhythm of the days, the quiet, and the landscape all invite a different way of thinking—one that is calmer, clearer, and often more creative.

This time in the mountains has been more than a pause; it has been an opportunity to reconnect with the deeper purpose behind training, teaching, and materials writing. Distance from the everyday rush has made it easier to reflect on what really matters in my work: what genuinely supports teachers, what helps learners progress, and what makes classroom practice meaningful.

Even in this peaceful setting, work has continued. Last Saturday I taught the final module of the fourth edition of the formative assessment course for APPI. There was something especially meaningful about reaching the end of this course while being in a place that naturally encourages reflection. Final sessions often bring a sense of closure, but they also open the door to new questions—about teaching, learning, and the ways teachers continue to grow.

As we explored the principles of formative assessment, I was reminded again that assessment is not simply about measuring what students have learned. It is an essential part of the learning process itself. It guides decisions, shapes next steps, and gives both teachers and learners valuable insight. Perhaps because of the environment I am in, I found myself approaching this final session with even more intention—allowing more space for reflection, asking more open-ended questions, and valuing pauses rather than rushing to fill them. Interestingly, these are the same practices we encourage teachers to use with their own learners.

This period has also included a deeply personal milestone. I travelled to Punta Alta to present my first book of poems in Spanish. Sharing that moment with family, friends, former students, and colleagues made it especially meaningful. It was an emotional event—one that brought together different stages of my life and reminded me of how long this creative journey has been unfolding in parallel with my professional one.

That experience has stayed with me in unexpected ways. Writing poetry and working with language in the classroom are not separate worlds; they inform each other constantly. My interest in rhythm, voice, and meaning, which finds expression in poetry, is the same curiosity I bring into my work with teachers and learners. It is also at the heart of the workshops I have been developing on using literature—and poetry in particular—in the ELT classroom.

In fact, presenting the book has strengthened my belief that poetry can play a valuable role in language learning. It offers learners a different kind of engagement with language: more personal, more interpretative, and often more memorable. For teenage students especially, poetry can open up spaces for self-expression while also developing sensitivity to language.

Some practical ways this can translate into the classroom include:

  • using short, accessible poems as a springboard for discussion rather than comprehension testing
  • inviting students to respond creatively—through a line, an image, or a personal connection—rather than focusing only on analysis
  • offering optional extension tasks where more confident students experiment with writing their own verses, while others work with adapting or reshaping a model
  • building in brief reflection stages where students consider not just what a text means, but how it makes them feel and why

Alongside the training sessions, I have also been working on teaching materials, revisiting activities, and refining ideas for future courses. Here, with time to think more deeply, the writing feels less mechanical and more purposeful. I have been simplifying tasks, clarifying reflection stages, and considering how to support different learners more effectively.

This process has brought me back, again and again, to the realities of the classroom. In every activity I design, I ask whether it will truly work—whether it will engage a tired group of teenagers, whether it will support those who need more guidance while still challenging those who are ready for more. These are the questions that shape useful materials, and having the time to reflect on them has been invaluable.

This period in Sierra de la Ventana has shown me once again that stepping away from routine can deepen professional understanding. Time spent in quiet reflection not only restores energy but also sharpens purpose. It allows ideas to develop more naturally and reveals connections that are often missed in the rush of everyday work.

As this course came to an end, I feel both a sense of accomplishment and a renewed sense of direction. Sometimes the most meaningful professional growth happens not in busy schedules or crowded calendars, but in moments of stillness—in places where there is enough space to think, reflect, and return to the work with greater clarity.

In that sense, these weeks have offered more than rest. They have offered perspective—personal and professional, closely intertwined. And that perspective, perhaps, is one of the most valuable things any teacher trainer can bring back to the work.

 

From grammar to great writing: Performance, fun & feedback

At the end of the day, grammar’s real magic shines when it lets students create writing they’re proud of. Here’s how to make that leap from practice to performance (and have a blast along the way).

Mad Libs — But make it meaningful

This classic never fails! Tailor your Mad Libs for your current grammar unit:

  • Reinforce parts of speech with younger learners (“noun,” “adjective,” etc.).
  • Challenge older ones with more complex structures: conditionals, relative clauses.

After filling in the blanks, have groups perform their stories for the class. Laughter guaranteed, and students will be practicing writing, speaking, and editing skills all at once.

Publishing for a purpose

Celebrate students’ grammar gains with real audiences:

  • Story circles—read aloud to classmates or younger students.
  • Create a “best writing” portfolio or class anthology.
  • Host a mini “grammar show and tell”—students share favorite sentences, explain a tricky point, or “teach” the class a new rule using an example.

Reflect, review, and set goals

End each unit or project with a look back: What grammar did we master? Where did we struggle? Give students quick reflection sheets, celebrate improvement, and let them help set the next grammar focus.

Bringing it all together

Grammar doesn’t need to be the dreaded subject. With small daily shifts—involving talk, play, creativity, and performance—you’ll find even reluctant writers participating with smiles (and surprising skill).

If you try an idea from this series, or have your own creative approach to grammar, let us know in the comments—let’s keep making grammar fun, for real!

Beyond Worksheets: Creative routines for grammar success

Ready to move past textbook exercises? Your students are! Here are hands-on classroom ideas that sneak grammar in through the back door—often disguised as play.

Sentence builder showdown

Divide kids into teams and give them cards with sentence subjects, verbs, adverbs, etc. Each team draws cards to build silly (but grammatically correct!) sentences:

“The enormous chicken thoughtfully painted a portrait.”
Switch up the decks for focus areas: modal verbs, phrasal verbs, or relative clauses.

Grammar in action: Role-play and transformation

  • Animal transformation: Ask students to describe an animal, then imagine it “transforms” (into a robot, superhero, etc.), practicing tense and descriptive language.
  • Pronoun parade: Each student “becomes” a pronoun and must use it correctly in a sentence about themselves or a classmate.

Editing for editors: The power of peer review

While games are great, make sure students develop a critical eye for grammar, too. Use partner-editing, highlight “Grammar Stars of the Week,” or create a collaborative “Grammar Oops!” wall where students post commonly misused sentences and suggested fixes.

Model, Model, Model!

Consistently “think aloud” as you write on the board. Articulate your grammar choices:

“Do I need a comma here? Let’s check…”
Gradually, you’ll see students internalizing these steps—writing will feel more approachable!

Stay tuned for our last post: Blending grammar, writing, and performance for real impact.

Keeping Thinking Alive: What the Classroom Still Needs

A reflection on Voices of Change — Day 2

There is a question I keep coming back to, in training rooms, in classrooms, in conversations with colleagues from Salamanca to Jakarta: how do we keep thinking alive when everything around us is designed to do the thinking for us? It is not a new question. But right now, in 2026, it has a sharper edge.

That was the question at the heart of Voices of Change — Day 2, a roundtable organised by The University Grapevine and Pro.Ed Education Solutions, hosted by Robert Stroud, Ph.D. The session — titled Keeping Thinking Alive: Engagement, AI, and the Human Classroom — brought together five panellists from five different countries for ninety minutes of honest, unhurried conversation about where education has been, where it is now, and what it must protect going forward.

I was one of those panellists. And I am still processing what was said.

You can watch the full session here https://youtu.be/umXs0Y8J5pQ?si=lHN256M6USUBZtrL

The conversation

The session moved through three arcs: attention and engagement in today’s classroom; human interaction, effort, and the pressures students carry; and finally, a look ahead to 2050 — what human qualities and classroom rituals are worth fighting to preserve.

My contribution centred on something that I feel strongly about and do not think gets enough space in conversations about AI and education: differentiation in its fullest sense.

Differentiated instruction is not only about ability levels. It is about seeing every learner whole — their cultural identity, their ethnic background, their social history, their language, their right to find themselves reflected in what happens in the classroom. A student from a marginalised community who has learnt, through years of experience, that education was not designed with them in mind — that student’s engagement cannot be solved by a smarter app.

AI adds a new dimension to this: the tools we use are not neutral. They reflect the biases of their training data. Without a teacher who already understands what genuine inclusion requires, AI will systematically centre dominant voices and erase others. The critical question to ask of any AI-generated resource is simple: whose world does this reflect?

A humanistic approach to teaching — one that places the whole person at the centre, before any method or tool — is not a soft add-on to good pedagogy. It is the foundation. And that foundation does not become less necessary in an AI-rich classroom. It becomes more necessary.

The Time Capsule

The session closed with an activity I found genuinely moving: each panellist was asked to leave a specific message for a learner in 2050. Not general advice — a real commitment. Mine:

One timeless skill:

Intellectual courage — the courage to think differently and to speak out, even when it is uncomfortable, even when it goes against the grain. In a world where AI will generate the most statistically probable answer to almost any question, the ability to think an unpopular thought and say it clearly will matter more than ever.

One classroom ritual worth preserving:

The commitment to seeing every learner as fully human: with a history, a culture, an identity, and the right to be reflected in what happens in the classroom. That is not a pedagogical trend. That is the foundation everything else is built on.

The panellists

One of the genuine pleasures of this session was the company. Five educators, five continents, one shared conviction:

  • Robert Stroud, Ph.D. — Host & Founding Editor, The University Grapevine
  • Le Dinh Bao Quoc, Ed.D. — Founder & CEO, Pro.Ed Education Solutions (Vietnam)
  • Luis Javier Pentón Herrera, Ph.D. — 2024 TESOL Teacher of the Year, Uniwersytet VIZJA (Poland)
  • Prof. Marina Falasca — Teacher educator, STAR Scholars Country Director (Argentina)
  • Fajarudin Akbar — Edtech practitioner & IELTA Ambassador (Indonesia)

Different contexts, different pressures, different classrooms — and a remarkably consistent answer to the question of what matters: the human relationship at the centre of teaching and learning is not a feature that AI can replicate or replace. It is the point.

What I am taking away

I am not anti-AI. I am pro-human. I use AI in my work, and I believe that refusing to engage with it does not protect our students — it leaves them without guidance for something they will use regardless.

But I come away from this conversation more convinced than ever that the most important thing a teacher can do in 2026 is protect the spaces that AI cannot enter: the spontaneous exchange, the productive struggle, the moment of genuine recognition between two people. The pause before an answer that is the sound of a mind actually working.

The classroom will change. It already has. But some things are not features of a method — they are conditions of learning itself. And those are worth naming, defending, and passing on.

Thank you, The University Grapevine and Pro.Ed Education Solutions, for creating a space where this conversation could happen with the depth it deserves. The full session is available above — I hope you watch it, and I hope it prompts a question or two of your own.

Grammar Games & Glitter: Turning “Ugh” into “Aha!” moments

Let’s be honest: most students don’t exactly jump out of their seats for grammar lessons. In fact, you may feel the same way if you remember endless drills from your own school days! But what if grammar didn’t have to be a grind?

Start with oracy—If you can Say it, you can write it

Many students struggle with grammar because they don’t get to try it out loud. Build a “say it before you write it” habit in the classroom. For example, let students act out “Reader’s Theatre,” using cards with targeted grammar forms (“today we use past tense!”). Hearing and speaking sentences correctly helps set up those “aha!” writing moments later.

Mini-games, maxi-impact

Try out these teacher-tested games:

  • Grammar Bingo: Instead of numbers, use verb forms or sentence types. Call out clues (“Find a cell with a modal verb!”) and watch even shy learners join in.
  • The Missing Word Mystery: Give students sentences with key grammar words blanked out and see if they can use clues to fill them in. For little ones, keep it simple (“The cat ___ on the mat.”).

Visual grammar—Use the “Working Wall” (click here to download the template)

Incorporate a “working wall” in your classroom. As you introduce new grammar points, stick up examples, mini-charts, or student sentences. Students can physically see grammar rules accumulate, and they’ll have a reference point to get “unstuck” during independent writing.

Encourage ownership (and a little healthy competition)

Give groups challenges—who can use the most adjectives in a short description? Which pair makes the silliest sentence using the passive tense? Suddenly, grammar isn’t so dry after all!

Be on the lookout for the next post! Creative routines for making grammar stick! And no red pens required.

Planning for 2026: Setting intentions (not resolutions) for the year ahead

Week 4 of the December Series: Creating sustainable change without the January pressure

 

The calendar is about to flip. You’re somewhat rested (or at least you’ve stopped grading). And here comes that familiar whisper: “New year, new you! This time everything will be different!”

Stop right there. Before you create another list of resolutions that will haunt you by February, let’s try something different.

You don’t need a new you. The current you has survived one of education’s most challenging eras, adapted constantly, and is still standing. What you need are intentions that honor who you already are while gently guiding where you’re growing.

Why teacher resolutions fail

Every January, teachers resolve to:

  • Never take work home again
  • Grade everything immediately
  • Try all those innovative strategies from Pinterest
  • Achieve perfect work-life balance
  • Transform their classroom management
  • Finally organize everything perfectly

By February, we’ve broken most of them. Not because we’re weak, but because resolutions ignore the reality of teaching: it’s unpredictable, demanding, and constantly evolving. You can’t resolution your way through a profession that requires daily improvisation.

Intentions vs. Resolutions

Resolutions are rigid rules: “I will exercise every morning before school.”

Intentions are flexible guides: “I intend to move my body in ways that energize me for teaching.”

Resolutions break. Intentions bend. Resolutions judge. Intentions adjust. Resolutions are about fixing what’s wrong. Intentions are about nurturing what’s possible.

The year-behind, year-ahead framework

Before setting any intentions, complete this simple framework:

From 2025, I’m bringing forward:

  • What worked well that you want to keep
  • Strategies that served your students
  • Boundaries that protected your energy
  • Habits that supported your wellbeing

From 2025, I’m leaving behind:

  • What drained more than it gave
  • Practices you did from obligation, not impact
  • Guilt about not being “enough”
  • Comparisons that stole your joy

For 2026, I’m curious about:

  • What you’d like to explore
  • Skills you’d enjoy developing
  • Ways to make teaching more sustainable
  • Changes that excite rather than exhaust you

Setting teaching intentions

Your teaching intentions should feel like a gentle pull forward, not a harsh push. Consider these areas:

Classroom culture
Instead of: “Perfect classroom management”
Try: “I intend to create a space where both my students and I feel respected and safe”

Instruction
Instead of: “Implement five new teaching strategies”
Try: “I intend to deeply explore one approach that aligns with how my students learn best”

Assessment
Instead of: “Grade everything within 48 hours”
Try: “I intend to provide feedback that’s timely and meaningful, even if that means grading less”

Relationships
Instead of: “Connect with every student perfectly”
Try: “I intend to see each student as a whole person and meet them where they are”

Setting sustainability intentions

Teaching is only sustainable if you are. Consider intentions for:

Energy management
“I intend to notice what energizes and depletes me, and adjust accordingly”

Boundaries
“I intend to protect my non-teaching time as fiercely as I protect my teaching time”

Growth
“I intend to learn at a pace that feels nourishing, not overwhelming”

Joy
“I intend to regularly reconnect with why I became a teacher”

The monthly theme approach

Instead of overwhelming yourself with multiple changes, try monthly themes:

  • January: Simplification (What can I streamline?)
  • February: Connection (How can I deepen relationships?)
  • March: Creativity (Where can I play more?)
  • April: Balance (What needs adjusting?)
  • May: Celebration (What can I appreciate?)
  • June: Reflection (What have I learned?)

One focus per month feels manageable and allows for depth over breadth.

Creating your implementation plan

Intentions without action are just wishes. But the action doesn’t have to be dramatic:

Start tiny
Want to improve student relationships? Start with greeting three students personally each day. Want better boundaries? Start by leaving on time one day per week.

Stack it
Attach new intentions to existing routines. Check in with yourself during your commute. Practice gratitude while your computer boots up. Stretch during transitions between classes.

Track gently
Instead of rigid tracking, try weekly reflections: “How did I honor my intentions this week?” No judgment, just noticing.

Adjust often
Teaching changes daily. Your intentions should be flexible enough to change with it. Monthly check-ins help you adjust rather than abandon.

The support system

Intentions thrive with support:

Find your people
Share intentions with a trusted colleague. Not for accountability that feels like pressure, but for encouragement that feels like support.

Create reminders
Put your intentions where you’ll see them—not as demands but as gentle redirects. A post-it with “breathe” or “good enough is good enough.”

Celebrate small wins
Left on time twice this week? Celebration. Tried one new thing? Celebration. Said no to an optional commitment? Celebration.

What to do when you forget

You will forget your intentions. You’ll fall back into old patterns. You’ll have weeks where survival is the only goal. This is normal and expected.

When this happens:

  1. Notice without judgment
  2. Get curious about what happened
  3. Adjust if needed
  4. Start again tomorrow

Intentions are about practice, not perfection.

The permission you need

As you plan for 2026, you have permission to:

  • Want less, not more
  • Simplify rather than complicate
  • Protect rather than expand
  • Maintain rather than transform
  • Be good enough rather than perfect

You also have permission to want:

  • Joy in your teaching
  • Energy at day’s end
  • Excitement about your work
  • Pride in your growth
  • Hope for the future

Your 2026 intention starter

Complete these prompts:

“In 2026, I intend to teach in a way that…”

“In 2026, I intend to treat myself with…”

“In 2026, I intend to let go of…”

“In 2026, I intend to explore…”

“In 2026, I intend to protect…”

“In 2026, I intend to celebrate…”

The long view

Remember: You’re not planning just for January or even just for 2026. You’re setting intentions for a sustainable teaching life. Small, consistent choices aligned with your intentions create more change than dramatic resolutions ever could.

Your students need a teacher who’s growing sustainably, not one who burns bright in January and burns out by March. They need someone who models that growth is gradual, self-compassion is strength, and that becoming is more important than achieving.

Moving forward

As you step into 2026, carry your intentions lightly. Let them guide but not govern. Let them inspire but not intimidate. Let them evolve as you evolve.

This year doesn’t require a new you. It just requires you, showing up with intention, growing at your own pace, and remembering that teaching—like learning—is a practice, not a performance.

You’ve reflected on 2025. You’ve rested (hopefully). Now you’re ready to move forward—not with the pressure of resolutions but with the gentle guidance of intentions.

Welcome to 2026. You’ve got this.

Thank you for joining the December series! How are you approaching 2026 differently? Share your intentions (not resolutions) in the comments.

Ready to create sustainable change in your teaching life? Book a 1-on-1 coaching session and let’s design intentions that honor who you are and support who you’re becoming.

Resting and Restoring: How to actually recharge during the break

Week 3 of the December Series: Your recovery isn’t optional—it’s professional development

 

You made it. Winter break has arrived. Now comes the hard part: actually resting.

If you’re like most teachers, you’re already planning to use this break to catch up on grading, redesign units, organize your classroom, and maybe—if there’s time—rest a little.

Stop. Put down the red pen. Close the laptop.

This break isn’t for catching up. It’s for recovering. And recovery isn’t lazy or selfish—it’s the most important professional development you’ll do all year.

Why teachers are terrible at resting

We’ve internalized the message that dedication means exhaustion. That good teachers work through breaks. We feel guilty when we’re not productive.

Here’s the truth: You cannot give what you don’t have. You cannot model healthy habits when you’re burning out. You cannot inspire learning when you’re too exhausted to feel curious yourself.

Rest isn’t the opposite of caring about your students—it’s how you ensure you can keep caring about them for years to come.

 

The myth of “productive rest”

Reading professional development books or organizing while “relaxing” isn’t rest. It’s work wearing pajamas.

Real rest means doing things with no connection to teaching. Things that serve no purpose except restoration. Things that look “unproductive” to anyone watching.

That’s not just okay—it’s essential.

 

The recovery spectrum

You need different types of recovery:

Physical Recovery: Your body needs actual rest—sleep, gentle movement, nourishing food, and no alarm clocks.

Mental Recovery: Your brain needs a break from constant problem-solving and decision-making.

Emotional Recovery: Process your own feelings and replenish emotional reserves after managing dozens of young humans’ emotions.

Social Recovery: Introverts need quiet time to recharge. Extroverts need quality time with people who energize them. Both are valid.

 

The first 48 hours

Day 1: Full stop
Sleep as long as your body wants. Eat when hungry. Watch terrible TV. Read something frivolous. Do absolutely nothing productive. This feels wrong. Do it anyway.

Day 2: Gentle re-entry
Start moving a little. Take a walk. Cook something enjoyable. Connect with someone you love. But keep it gentle. No obligations.

These first 48 hours let your nervous system realize the threat is over. You’re safe.

 

Active rest vs. passive rest

Passive rest:

  • Sleeping without alarms
  • Reading for pleasure
  • Watching movies
  • Sitting in nature
  • Daydreaming

Active rest:

  • Gentle exercise (walking, yoga)
  • Creative hobbies (not for school)
  • Cooking for enjoyment
  • Playing games
  • Dancing in your kitchen

The key: active rest should energize, not deplete you.

 

Permission slips

You have permission to:

  • Not grade anything
  • Not think about difficult students
  • Not respond to school emails
  • Sleep until noon
  • Wear pajamas for three days
  • Binge-watch entire series
  • Do absolutely nothing useful
  • Say no to draining obligations

You are not a better teacher for denying yourself rest. You’re just more exhausted.

 

Dealing with teacher guilt

When guilt arrives about not working:

Acknowledge it: “I notice I’m feeling guilty.”

Remind yourself: “Rest is part of my professional practice.”

Redirect: Do something restorative. Take a walk. Start that novel.

Set boundaries: If you must do school work, contain it. One hour maximum. Set a timer.

 

Holiday navigation

Protect your energy during holiday obligations:

  • Don’t attend every gathering
  • Have a redirect ready for school questions: “I’m taking a break from work. Tell me about…”
  • Schedule recovery time after demanding events
  • Remember you’re off duty from managing everyone’s emotions

 

Restoration practices

The daily nothing: Schedule 30 minutes to do absolutely nothing. No phone, no book. Just sit. Let your mind wander.

The artist date: Do something creative with no purpose. Finger paint. Build with Legos. Reconnect with play.

The body check-in: Notice how your body feels without fixing anything. Let it tell you what it needs.

The joy hunt: Actively seek tiny moments of joy. Perfect coffee. Sunlight. Cat purring. Collect these moments.

 

What recovery looks like

Recovery might look like:

  • Crying because you finally have space to feel
  • Sleeping 12 hours and still feeling tired
  • Doing nothing “productive” for days
  • Feeling temporarily worse before better
  • Having no idea what to do with unstructured time

This is normal. You’re recalibrating from months of intensity.

 

Preparing for re-entry

In the final days of break—not before—gentle preparation:

  • Set out clothes for day one
  • Review your schedule (don’t plan lessons yet)
  • Restock classroom snacks
  • Send one “looking forward to seeing you” message

Save heavy lifting for when you’re paid to do it.

 

Your restoration checklist

  • Sleep without alarms for three days
  • Read something unrelated to education
  • Do one daily thing that serves only joy
  • Say no to three obligations
  • Spend time in nature
  • Move your body in ways that feel good
  • Connect with energizing people
  • Practice doing absolutely nothing
  • Forgive yourself for needing rest

 

The long game

Teaching is a marathon, not a sprint. You’re not just recovering from this term—you’re investing in your ability to teach for years to come.

Your students don’t need a martyr. They need a teacher who models working hard and resting well. Who shows them that self-care isn’t selfish—it’s sustainable.

When you truly rest, around day 4 or 5, real energy returns. Not caffeine-fueled adrenaline, but actual energy. Ideas bubble up naturally. You might even feel excited about teaching again.

Don’t rush it. Let restoration complete itself.

By resting deeply, you give your students a teacher who returns refreshed, creative, and present. You give yourself proof that you can stop and the world doesn’t fall apart. That you matter beyond productivity.

Rest now. Fully. Unapologetically. Your future self—and your future students—will thank you.

 

Next week: Planning for 2026 – Setting intentions (not resolutions) for the year ahead

What’s your biggest challenge with resting during breaks? Share in the comments—let’s normalize the struggle.

Need accountability in actually resting this break? Book a 1-on-1 coaching call and let’s create a restoration plan you’ll actually follow.